The 'exploits' of an Australian death squad, operating until 2013 in Afghanistan are currently the subject of a major Sydney Morning Herald investigation. Central to the story is an officer known only as 'Leonidas', "who cannot be named for legal reasons." If 'Leonidas' isn't proof that Hollywood is far more than a US Weapon of Mass Distraction (as if that were not bad enough) but a form of spiritual pollution which plays havoc with the minds of the cretins who flock to its juvenile productions, I don't know what is:
"At the time (2009), he was part of an SASR [Special Air Service Regiment] patrol that was increasingly dividing the regiment. A warrior culture was being embraced by some special forces troops but loathed by others. It involved tattoos and a devotion to the Hollywood movie 300, which glorifies the fighting prowess of the ancient Spartans, and whose climactic moment involves an enemy soldier being kicked off a ridge. Several former SASR officers say this rock-star ethos emboldened certain soldiers to test the elasticity of the rules of engagement - rules that govern when a soldier can take a life. 'The regiment over time prided itself on being an organisation that broke the rules but not the law,' explains one former officer... 'What happened, though, was during the Afghan campaign, there was a group of individuals who believed they were immune from the law'... [In] the patrol Leonidas belonged to... sources say, junior members were pushed to kill rather than detain." (SAS's day of shame: war crime allegations: bound detainee kicked off cliff and executed, Nick McKenzie & Chris Masters, 9/6/18)
As a SMH reviewer wrote of 300 back in 2007: "Welcome to the new double-speak. Sparta as a metaphor for America, courtesy of Warner Bros, in which the politics of eugenics is reborn amid one of the most sickeningly violent and mindless films of the new millennium. Adolf Hitler would have been pleased: he may have lost the war, but his ideas live on in mystical, military propaganda like this, aimed at spotty boys in need of heroes. God help us. Of course, latent fascism isn't new in American military movies. It's just that it's rarely as politically naive as it is in 300. That's me being charitable. It's just possible the filmmakers intended it to be as inflammatory as it is. These are strange times and 300 fits the mood of a part of the West that would like to see the Middle Eastern barbarians bathed in their own blood. This is their kind of movie, complete with references to 'barbarians' and 'Asian hordes'. Perhaps the Klan has become a new demographic for Hollywood." (In the name of freedom, Paul Byrnes, 6/4/07)
The 'genius' behind this filth, director Zack Snyder, was quoted at the time as saying, "My feeling is if a movie's not sexy and fucking violent and fucking cool, then why go sit in the theatre? I look at the screen and half the time I'm like, 'I'm going to fall asleep. Somebody's going to have to kill somebody. Or fuck somebody.' A movie should kick you in the face." (Sympathy for the Spartans, Stephen Applebaum, The Australian, 21/3/07)
And guess what? Snyder's 'movie' did just that - to an innocent, handcuffed, Afghan shepherd, Ali Jan:
"[A] junior soldier described a scene he'd witnessed which was haunting him. It involved an irate and frustrated Leonidas grabbing one of the PUCs [Persons Under Confinement] and walking him to the edge of a cliff... Leonidas gave himself a short run-up then kicked the detainee. As he plunged, his face smashed into rocks. Then the injured man was executed, the junior soldier told his superiors. A second witness... has corroborated that story. He says he saw Leonidas kicking 'the hell' out of an Afghan detainee. The witness says this incident mirrored the climactic 'kick' scene from the Spartan movie, 300."
I really don't think I can take too much more of this Western Civilisation shit.